Photography: Bruce Coleman

The School of Architecture has been located in various portions of Slocum Hall on the Syracuse University campus since its construction in 1917.  As its faculty evolved with the modern movement, a contentious relationship ensued with their rather banal Beaux Arts building. It was heavily modified over time, with much of its architectural quality lost to previous insensitive renovations. Ultimately, the school chose to remain in Slocum Hall because of its pivotal location at the center of campus among arts and engineering disciplines.

Prior to the renovation, the School formulated a broad programmatic mandate to reflect the creative potential of architecture, to make architecture visible on campus, to reinforce collegiality and interdisciplinary study, and to demonstrate to its students the fundamental principles of form and construction.

The building’s abandoned atrium became the focus of this effort. The atrium now allows sunlight to penetrate the center of the building and air to move throughout unassisted by fans and ducts. The building’s early twentieth century ventilation engine, fueled by gravity, was restored and augmented with contemporary controls. As the school now occupies the entire building, the atrium promotes visibility and encourages interaction among faculty, students, and visitors, bringing the school together as a single entity.

The auditorium is designed to create optimal acoustics for both its interior and the gallery below. It was designed as a three dimensional digital model which was imported directly to CNC routers that milled its bamboo plywood cladding system. In the fall 2008, after this complete renovation, the Syracuse University School of Architecture has reoccupied its ninety-year home.

At the center of the building, years of accumulated construction were removed to reveal vast interior volumes. One of these now contains a flexible gallery and presentation space with a 135 seat auditorium supported above. These spaces work in harmony with one another, as overflow audiences occupy the gallery and are linked to activities inside via digital projection.

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